Mantovani Orchestra 2009 Shanghai Concert

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tickets88

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Joined: Nov 20, 2008
Posts: 139

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Posted: Mar 09, 2009 - 05:03 PM
Post subject: Mantovani Orchestra 2009 Shanghai Concert

Time: 2009/5/2-2009/5/3
Venue: Shanghai Oriental Art Centre
Price: 180/280/380/580/680/880
Pho : 021-51509199
Email: msn.kelly@hotmail.com
RRL : http://sh.piao.com.cn/en_piao/ticket_1759.html

More Info

Program:

1. Moon River
2. La Vie en rose
3. Cara Mia
4. A Walk in The Black Forest
5. Swedish Rapsody
6. And I Love You So
7. Smoke Gets in You Eyes
8. Exodus
9. Elizabethan Serenade
10. Big Country
11. Fool
12. Londondery Air
13. My Way
14. Tonight
15. Charmaine
16. Besame Mucho
17. Miditation From“Thais”
18. Slavonic Dance No2 in E Minor
19. Around The World
20. The Skate’s Waltz
21. Limelight
22. Valencia
23. Maria Elena
24. Solveigs Song
25. “Air” On The G String
26. James Bond Theme
27. Tea For Two
28. I Just Call To Say I Love You
29. Maragena
30. Hungarian Dance No 5
31. Beauty Rosmarie
32. Yellow Rose Of Texas
33. From Opera Tourando
34. Cielito Lindo
35. Give My Regard To Broadway
36. Autumn Leaves
37. Some Enchanted Evening
38. Lonely Ballerina

Venice-born Annunzio Paolo Mantovani became known not only for arrangements of popular tunes and for his own

compositions, but for the unique sonic character of "His Orchestra," a sound often likened to the strains of

"cascading strings." Detractors called the style elevator music, but Mantovani would become one of the best-known

creators and conductors of light orchestral music of his time.

Mantovani began conducting in 1925, his first position being conductor of the Hotel Metropole Orchestra in Leeds,

an ensemble with whom he made several recordings in 1928. Among the more successful works he composed and

recorded that year were Impromptu Serenade and Venetian Boatmen's Song.
Concurrently he pursued a career as a concert violinist in England, and had achieved considerable success in that

endeavor. In 1931 he made the difficult decision to abandon his soloist's career in favor of conducting. He then

founded his first orchestra, the Tipica Orchestra. With this group he performed regularly in radio broadcasts and

in 1932 began making recordings. Several were hits in England and the U.S., including the 1936 Serenade to the

Night.

In 1937, Columbia Records billed the performers as Mantovani and His Orchestra, and the name has been used ever

since. Mantovani and his ensemble grew in popularity in the 1940s, not least because the conductor dabbled in

many successful theater productions on the side. In 1951, Mantovani, with the aid of arranger and former

accordionist in his orchestra Ronald Binge, fashioned the aforementioned "cascading strings" sound, introducing

it with one of Mantovani's most popular hits, Charmaine.

In 1954 Mantovani recorded his greatest hit, Cara Mia, wherein he employed a female choir. A string of big

sellers followed: Beyond the Stars (1955), Toy Shop Ballet (1956), and It Was Love (1959). A good many of his

recorded efforts -- at least 74 -- were crafted by him, though he would often write his works under a pseudonym,

such as Paul Remy or Paul Lambrecht. Sometimes he would do a second version of a successful piece: his 1966

rendition of Cara Mia featured Mantovani at the piano, accompanying the orchestra, a performance released by

Decca in 1975. After 1973, Mantovani's popularity declined, but he remained active for several years in

composition. He died on March 30, 1980. His recordings continued to be reissued after his death, especially with

a later resurgence of interest in his work.

The tickets are on hot selling now!