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Japanese electronic music shanghai tour

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Japanese electronic music shanghai tour

Postby goahead » Fri Jan 21, 2005 9:15 pm

Japanese electronic music label 19-T (CDR, kesqsse,.amnjk) shanghai tour

Date: 20:00, 26th,Feb., 2005 (Sat.)
Venue: Harleys bar (the basement of No.265 Eastern Nan Dan RD. near the NO.2 exit of line one)
Ticket: 30RMB
Tele: 021-54247371
Bands Label
cdr (19-t)
kesqsse (19-t)
amnjk (19-t)
B6 (shanshui)
sulumi (shanshui)
iloop (shanshui)
Torturing Nurse (Shashui)


CDR(19-t):
The Kanto graduate, a 19 year-old painter, a cartoonist, puzzlenist, a composer, l- abel owner(RDCREC) and a video producer. The incoherent DEMPA system artist who has announced much videos which edited and cut off the television. The present stock music is 1000 or more. From RDCREC which self sponsors, it rises, simultaneously the work of no less than eight sheets is released. Nobody knows after that how such positive activity will change with a release from now on for eight more sheets in one month that it is superfluous. RDC RECORDS is due to deal also with the publication from now on. (Source from http://www.19-t.com/04_english/)



Kesqsse (19-t) Kanagawa graduate 22 age stays home and it is. The serious illness which does not yet come out from a house although it has cooperated also in enrollment and starting from the 19-t student term stays home, and it is. Although a sound source is also a serious illness, when it interprets as what was turned to the patient with an advanced disease, it looks nice further in space, such as a club. His legs are very sensitive. (Source from http://www.19-t.com/04_english/)




Amnjk (19-t) He's one of the best hip hop punktronica artists. Although he was born and found under the bridge, he started to listen to hip hop music when he was young. 19-t gave him a shitty room and as soon as he starts living there, he even starts hating music because of the punx. But he is now having an effort for opening a Japanese style bar 'Izakaya' in Tokyo. (Source from http://www.19-t.com/04_english/)




iloop (shanshui)
In BeiJing
Used 2 be a kind of industry rock n digital core , now , its kind of breakcore
2003 formed the studio NO ME with his friends
2004 played a part in a album called badzoo then started to play at gigs .1.11 .2004 ,had a hand in the first performance to public of the label Shanshui, then joined the label Shanshui, taken a part in the plan called <Shanhui-zip> ( source from www.rockself.com)




panda twin(shanshui) in BeiJing
2003 made their first album by label SUB JAM(the album was sort of industrial n elec core ) . since dead j token a member in them , they ‘ve been changing their style to breakcore while doing performance frequently
2004 made a album called green pepper & cacti. ( source from www.rockself.com)

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Postby msittig » Fri Feb 25, 2005 1:25 pm

Bump, because it's this weekend.

I can't go (away on business), but I would give it an 80% effort if I was here. Should be good.
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Postby urgentculture » Sun Feb 27, 2005 10:21 am

This was an awesome gig!! I'm so disappointed that barely 20 people showed up, no promotion. These guys are massive cool. I bought all the CDs. They're doing for electronic music what punk did for rock. Makes Kid 606 and Aphex Twin sound dated. Hope for repeat gigs in the future.
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Re: Japanese electronic music shanghai tour

Postby GC » Sun Feb 27, 2005 10:50 am

goahead wrote:Kanagawa graduate 22 age stays home and it is. The serious illness which does not yet come out from a house although it has cooperated also in enrollment and starting from the 19-t student term stays home, and it is. Although a sound source is also a serious illness, when it interprets as what was turned to the patient with an advanced disease, it looks nice further in space, such as a club. His legs are very sensitive. (Source from http://www.19-t.com/04_english/)


if i had seen this post earlier i might have went, i've never seen 'sensitive legs'.
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Postby goahead » Sun Feb 27, 2005 2:24 pm

Their artical stuff had never been bad though i dont like Japanese at all
i cant deny their music r great
so how r those CDs , r these as good as they played at the gig>?
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